You Can Call Me Al « See All Songs Lyrics:A man walks down the street He says, “Why am I soft in the middle now? Why am I soft in the middle? The rest of my life is so hard I need a photo opportunity I want a shot at redemption Don’t want to end up a cartoon In a cartoon graveyard” Bonedigger, bonedigger Dogs in the moonlight Far away my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me You know I don’t find this stuff Amusing anymore If you’ll be my bodyguard I can be your long-lost pal I can call you Betty And Betty, when you call me You can call me Al A man walks down the street He says, “Why am I short of attention? Got a short little span of attention And, woe my nights are so long Where’s my wife and family? What if I die here? Who’ll be my role model Now that my role model is Gone gone?” He ducked back down the alley With some roly-poly little bat-faced girl All along along There were incidents and accidents There were hints and allegations If you’ll be my bodyguard I can be your long -ost pal I can call you Betty And Betty, when you call me You can call me Al Call me Al A man walks down the street It’s a street in a strange world Maybe it’s the third world Maybe it’s his first time around He doesn’t speak the language He holds no currency He is a foreign man He is surrounded by the sound, the sound Cattle in the marketplace Scatterlings and orphanages YOU CAN CALL ME AL (CONT’D) He looks around, around He sees angels in the architecture Spinning in infinity He says, “Amen!” and “Hallelujah!” If you’ll be my bodyguard I can be your long-lost pal I can call you Betty And Betty, when you call me You can call me Al Call me Na na na na … If you’ll be my bodyguard I can be your long lost pal I can call you Betty © 1986 Words and Music by Paul Simon This song is available on: The Concert in Hyde Park Paul Simon’s Concert In The Park Graceland The Essential Paul Simon The Paul Simon Collection: On My Way, Don’t Know Where I’m Going The Complete Albums Collection Over The Bridge Of Time: A Paul Simon Retrospective (1964-2011)

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He first gained world-wide recognition as the writing talent behind the popular American folk-rock duo Simon & Garfunkel formed with fellow musician Art Garfunkel. When Simon & Garfunkel split in 1970, Simon quickly began his solo career with the release of the self-titled album, Paul Simon. This was followed by There Goes Rhymin' Simon and Still Crazy After All These Years, both of which featured chart-topping hits such as Loves Me Like A Rock and Kodachro… read more Paul Frederic Simon (born October 13, 1941 in Newark, New Jersey) is an American singer, songwriter and guitarist. He first gained world-wide recognition as the writing talent behind the po… read more Paul Frederic Simon (born October 13, 1941 in Newark, New Jersey) is an American singer, songwriter and guitarist. He first gained world-wide recognition as the writing talent behind the popular American folk-rock duo Simon & Garfu… read more View full artist profile Similar Artists View all similar artists

You Can Call Me Al: Oversettelser og tekster - Paul SimonOversettelsen av You Can Call Me Al - Paul Simon på Spansk og originaltekst av sangenNedenfor finner du tekster , musikkvideo og oversettelse av You Can Call Me Al - Paul Simon på forskjellige språk. Musikkvideoen med sangens lydspor starter automatisk nederst til høyre. For å forbedre oversettelsen kan du følge denne lenken eller trykke på den blå knappen nederst. Vi presenterer teksten og oversettelsen til You Can Call Me Al, en ny sang opprettet av Paul Simon hentet fra albumet 'Graceland' publisert Onsdag 28 April 202113 sangene som utgjør albumet er følgende:Her er en kort liste over sanger satt sammen av som kan spilles under konserten og referansealbumet: GracelandThat Was Your Mother Gumboots Diamonds On The Soles Of Her Shoes All Around the World or the Myth of Fingerprints Under African Skies I Know What I Know The Story Of Graceland The Boy in the BubbleYou Can Call Me AlCrazy Love Homeless Crazy Love, Vol. II Andre album av Paul Simon Lyd og Video av You Can Call Me Al by Paul Simon Tekster av You Can Call Me Al by Paul SimonMerk: materialet finnes IKKE på serveren vår. Gjennom denne tabellen som består av direkte lenker, kan du legge inn sider på nettsteder som inneholder teksten og i noen tilfeller oversettelsen av You Can Call Me "You Can Call Me Al" ble skrevet av Paul Simon. Etiketten er "Warner Music Group". Liker du sangen? Støtt forfatterne og deres etiketter ved å kjøpe den.

Paul Simon - You can call me Al 13 jaar geleden toegevoegd door onbekend A man walks down the street He says why am I soft in the middle now Why am I soft in the middle The rest of my life is so hard I need a photo-opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard Bonedigger Bonedigger Dogs in the moonlight Far away my well-lit door Mr. Beerbelly Beerbelly Get these mutts away from me You know I don't find this stuff amusing anymore If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al A man walks down the street He says why am I short of attention Got a short little span of attention And wo my nights are so long Where's my wife and family What if I die here Who'll be my role-model Now that my role-model is Gone Gone He ducked back down the alley With some roly-poly little bat-faced girl All along along There were incidents and accidents There were hints and allegations If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al Call me Al A man walks down the street It's a street in a strange world Maybe it's the Third World Maybe it's his first time around He doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound The sound Cattle in the marketplace Scatterlings and orphanages He looks around, around He sees angels in the architecture Spinning in infinity He says Amen! and Hallelujah! If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al Call me Al heeft toestemming van Stichting FEMU om deze songtekst te tonen. De songteksten mogen niet anders dan voor privedoeleinden gebruikt worden, iedere andere verspreiding van de songteksten is niet toegestaan.

A man walks down the street He says "Why am I soft in the middle now?" Why am I soft in the middle? The rest of my life is so hard I need a photo-opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard Bonedigger, Bonedigger Dogs in the moonlight Far away my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me You know, I don't find this stuff amusing anymore If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al A man walks down the street He says "Why am I short of attention?" Got a short little span of attention And, wow, my nights are so long Where's my wife and family? What if I die here? Who'll be my role-model, Now that my role-model is gone, gone? He ducked back down the alley With some roly-poly little bat-faced girl All along, along There were incidents and accidents There were hints and allegations If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al Call me Al A man walks down the street It's a street in a strange world Maybe it's the Third World Maybe it's his first time around He doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound, the sound Cattle in the marketplace Scatterlings and orphanages He looks around, around He sees angels in the architecture Spinning in infinity He says Amen! and Hallelujah! If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al Call me Al

A man walks down the street He says "Why am I soft in the middle now? Why am I soft in the middle? The rest of my life is so hard I need a photo-opportunity I want a shot at redemption Don't want to end up a cartoon In a cartoon graveyard Bonedigger, Bonedigger Dogs in the moonlight Far away from my well-lit door Mr. Beerbelly, Beerbelly Get these mutts away from me You know I don't find this stuff amusing anymore [Hook] If you'll be my bodyguard I can be your long lost pal I can call you Betty And Betty when you call me You can call me Al A man walks down the street He says, "Why am I short of attention? Got a short little span of attention And, whoa, my nights are so long Where's my wife and family? What if I die here? Who'll be my role-model Now that my role-model is Gone, gone He ducked back down the alley With some roly-poly little bat-faced girl All along, along There were incidents and accidents There were hints and allegations [Hook] Call me Al A man walks down the street It's a street in a strange world Maybe it's the third world Maybe it's his first time around Doesn't speak the language He holds no currency He is a foreign man He is surrounded by the sound, the sound Cattle in the marketplace Scatterings and orphanages He looks around, around He sees angels in the architecture Spinning in infinity He says, "Amen and Hallelujah!" [Hook] Call me Na na na na, na na na na (x8) If you'll be my bodyguard I can call you Betty If you'll be my bodyguard I can call you Betty If you'll be my bodyguard

Nastoletni fani muzyki, patrząc na ostatnią listę zestawienia UK Chart Top 100, czyli najpopularniejszych płyt w Wielkiej Brytanii, zapewne zdziwiliby się, pytając, kim jest ten artysta, który lądując na szczycie listy, pobił Beyoncé, Coldplay czy Drake'a? Podobnie byłoby z tymi, którzy spojrzeliby na listę Billboard 200, tam ów artysta znalazł się na trzecim miejscu. Ponad 74-letni dziś muzyk został tym samym najstarszym wykonawcą solo, który zdobył szczyt UK Chart. Tym sposobem Paul Simon, bo o nim mowa, nawiązał do swoich największych osiągnięć solo sprzed lat czy w duecie Simon & Garfunkel. Pracując nad każdą płytą, Paul Simon słyszy zewsząd pytania, co zdradził magazynowi "Rolling Stone", czy to będzie nowy "Graceland"? Czy może coś bliskiego Simon & Garfunkel? Na swojej 13. płycie Paul nie odwołuje się ani do folkrockowych dokonań duetu, który w latach 60. zgarnął 10 nagród Grammy, dzięki hitom "The Sound of Silence" i "Mrs Robinson". Ani do płyty "Graceland" z 1986 roku z przebojem "You Can Call Me Al", dzięki której afrykańskie rytmy, z których korzystał, zachwyciły Zachód i która ląduje niemal we wszystkich zestawieniach płyt wszech czasów. Oczywiście na nowym krążku Paula "Stranger to Stranger" są naleciałości tego, co grał przed laty, ale udanie muzyk wszedł z nimi w nowe muzyczne klimaty. Wiele o tej płycie i samym Simonie mówi klip do pierwszego, znakomitego singla "Wristland". Widać w nim uśmiechniętego, niskiego pana w kapelusiku wchodzącego do sali nagrań. To Paul Simon. W sali przy instrumentach kilku muzyków. Na zupełnym luzie grają, w części wygląda to, jakby jammowali zabawny kawałek z tekstem o tym, jak trudno jest czasami członkowi zespołu wejść na koncertowy backstage, jeżeli nie ma odpowiedniej opaski na ręku. Simon namawia w trakcie numeru muzyków do solówek, sam bawi się swoim wokalem, opowiadając historię z przymrużeniem oka. Nie mniej zabawy jest w wersji numeru na żywo, która znalazła się w dodatkach do "Stranger to Stranger". Oto właśnie cały Paul Simon, pełen humoru, tworzący genialne, wpadające w ucho melodie, do tego otoczony doskonałymi muzykami i niebojący się współczesnego brzmienia. To w tym numerze, obok gitar, saksofonu, trąbki czy kontrabasu, słychać sample i bity stworzone przez włoskiego producenta i DJ-a Clap! Clap! Wstawki tego gościa, którego Simon poznał przez swojego syna, najlepiej słychać w doskonałym "Street Angel" z naleciałościami world music. Podobny klimat ma "The Werewolf" z dźwiękami indyjskiego instrumentu jednostrunowego gopichand (zwanego też ektara). Na płycie wyprodukowanej na spółkę z Simonem przez ponad osiemdziesięcioletniego dawnego współpracownika Simon & Garfunkel, Roya Halee, słychać też marimbę, tubę, marakasy czy cytrę, na których grają albo sam Paul, albo muzycy pochodzący z różnych stron świata. Simon stworzył tym samym multikulturowy muzyczny tygiel, który wymyka się klasyfikacjom. Muzyk dokłada do niego nie tylko zabawne teksty, jak we wspomnianym "Wristland", ale też bardzo poważne lirycznie, na przykład inspirowane tragicznymi masakrami w amerykańskich szkołach. Jedną z piosenek, instrumentalną "In the Garden of Edie", poświęcił swojej wieloletniej żonie, znakomitej wokalistce Edie Brickell. "Stranger to Stranger" to album wielowymiarowy, ze zmieniającym się napięciem. Osadzony w folkowych, jazzowych, rockowych i bluesowych amerykańskich klimatach muzycznych z silnymi naleciałościami wielu kultur. Paul Simon jest w formie i jak przekonuje, nie zamierza jeszcze przechodzić na emeryturę. Paul Simon | Stranger to Stranger | Universal Materiał chroniony prawem autorskim - wszelkie prawa zastrzeżone. Dalsze rozpowszechnianie artykułu za zgodą wydawcy INFOR PL Kup licencję

‘You Can Call Me Al’. Hitsingle van Paul Simon uit 1986. Afkomstig van zijn succesalbum Graceland. Koddig videoclipje met Chevy Chase. En natuurlijk dat catchy riffje: Páá PaPa Pá, Páá PaPa Padá. Onlangs hoorde ik het nummer voorbijkomen op de radio, en ik vroeg me af of dit luchtige deuntje misschien een dubbele bodem bevat. Paul Simon (Newark, New Jersey, 1941) verstopt in zijn bedrieglijk opgewekte muziek immers wel vaker ingewikkelde of sombere hersenspinsels. ‘You Can Call Me Al’ geeft daarvoor inderdaad wel een paar aanwijzingen. In het eerstes couplet zien we een man die kennelijk in een midlife-crisis zit: ‘A man walks down the street / He says, Why am I soft in the middle now? / The rest of my life is so hard!’ Hij voelt zich eenzaam en verloren: ‘My nights are so long! / Where’s my wife and family? / What if I die here?’ Existentiële vragen zonder antwoord, maar het blijft verteerbaar door de nonchalante praat-zang en de absurde woordkeuze: ‘Don’t want to end up a cartoon, in a cartoon graveyard’. Dan komt het refrein: ‘If you’ll be my bodyguard, / I can be your long lost pal! / I can call you Betty, / And Betty, when you call me, / You can call me Al!’ Dit raadselachtige toneelstukje lijkt een oplossing te bieden. Maar wat betekenen die nieuwe namen, die lijfwacht en die verloren kameraad voor de problemen van de man? Een tipje van de sluier wordt opgelicht door een anekdote uit Paul Simons persoonlijke leven. De zanger en zijn toenmalige echtgenote Peggy verschenen eens op een feestje waar de gastheer hen per abuis aanzag voor het echtpaar ‘Al’ en ‘Betty’. Simon tilt dit alledaagse voorval in ‘You Can Call Me Al’ naar een ander niveau: als de gast en de gastheer/vrouw afspreken hun bestaande naam en identiteit te vergeten, kunnen ze allebei nieuwe rollen aannemen. De verrassende deal geeft ruimte: we kunnen helemaal opnieuw beginnen, zonder de ballast van het verleden. Geen gekke oplossing voor iemand in een mid-life crisis. In het derde couplet komt er nog iets anders bij. De man bevindt zich hier in een vreemd land, wellicht in de Derde Wereld. Hij is onthand omdat hij de taal niet spreekt, geen ruilmiddel tot zijn beschikking heeft. In deze onzekere situatie gaan de ogen van de man weer open. In die onbekende wereld, met zijn nieuwe beelden, klanken en geuren krijgen de dingen om hem heen plotseling weer betekenis. Hij ontwaart ‘angels in the architecture’. Sterker nog, deze nieuwe wereld brengt hem verlossing: ‘Amen, Hallejulah’. Als je dan het refrein er weer bij betrekt, lijkt de zanger in dit ogenschijnlijk luchtige liedje zelfs een voorstel te doen voor een nieuwe verhouding tussen Noord en Zuid, rijk en arm, blank en zwart: de rijke landen beschermen de arme met hun macht en geld (bodyguard), en in ruil daarvoor wordt de ontheemde westerse blanke weer opgenomen in de mensengemeenschap (long lost pal). Dan kunnen ze allebei weer met een schone lei beginnen. Of zie ik er nu te veel in? Dat is mogelijk, maar ik denk het niet. Paul Simon heeft de grote maatschappelijke en existentiële thema’s nooit geschuwd. Bovendien was hijzelf ten tijde van Graceland het middelpunt van een felle controverse over de omgang met de apartheid in Zuid-Afrika. Nee, ik ben ervan overtuigd dat ‘You Can Call Me Al’ gewoon gaat over de menselijke existentie, wedergeboorte, verlossing en een nieuwe wereldorde. Páá PaPa Pá, Páá PaPa Padá.

A Hazy Shade Of WinterEngelsBookends - lansare - 1968SpaansGrieksHongaars Adios HermanosEngelsSongs from the CapemanDuits All around the World or The Myth of FingerprintsEngelsGracelandSpaansDuits American TuneEngelsThere Goes Rhymin' SimonItaliaansNederlands BernadetteEngelsSongs From The ChapmanDuits Crazy Love, Vol. IIEngelsGracelandSpaansDuitsZweeds Darling LorraineEngelsZweeds Diamonds on the Soles of Her ShoesEngels, ZoeloeGracelandSpaansDuitsKroatischZweeds #1 #2+3 DuncanEngelsPaul Simon (1972)RussischDuitsPortugeesZweedsBosnisch+3 Father And DaughterEngelsSurprise (2006)Hongaars Fifty Ways to Leave Your LoverEngelsStill Crazy After All These Years (1975)SpaansFrans #1 #2TurksDuits #1 #2ItaliaansServischKroatischBulgaarsNederlandsZweeds #1 #2+11 GracelandEngelsGracelandSpaansFransDuits #1 #2NederlandsZweeds+4 GumbootsEngelsGracelandSpaansDuits Hearts and BonesEngelsHearts and Bones (1983)Zweeds Here comes the sun / Homeward boundEngels HomelessZoeloeGracelandEngels How the Heart Approaches What It YearnsEngelsOne-Trick Pony Hurricane EyeEngelsZweeds I Know What I KnowEngelsGraceland (1986)SpaansDuitsZweeds Insomniac’s LullabyEngelsRussisch KodachromeEngelsThe concert in Central ParkSpaansFransDuitsZweedsHebreeuws+3 Me and Julio Down by the SchoolyardEngelsPaul SimonSpaansDuits #1 #2Zweeds #1 #2Hebreeuws+4 Mother and Child ReunionEngelsPaul SimonDuitsZweeds Peace like a riverEngels QualityEngelsSongs from the CapemanDuits Questions For The AngelsEngelsDuits Rene and Georgette Magritte with Their Dog after the WarEngelsHearts and Bones (1983) Slip Slidin' AwayEngelsGreatest Hits, Etc. (1977)FransDuitsZweeds Something So RightEngelsThere Goes Rhymin' Simon (1973)TurksNederlandsZweeds Sunday afternoonEngelsSongs from the CapemanSpaansDuits TendernessEngelsZweeds That was your motherEngelsGracelandSpaansDuits That's where I belongEngelsZweeds The BoxerEngels The Boy in the BubbleEngelsGracelandSpaansDuitsZweeds The Late Great Johnny AceEngelsHearts and Bones (1983) The Obvious ChildEngelsServischZweeds The side of a hillEngelsThe Paul Simon SongbookRussischNederlands The teacherEngels The VampiresEngelsSongs from the CapemanDuits Think too Much (a)EngelsHarts and BonesDuitsZweeds Think Too Much (B)EngelsHearts and Bones (1983)Duits Under African skiesEngelsGracelandSpaansDuits VirgilEngelsSongs from the CapemanDuits Was a Sunny DayEngelsThere Goes Rhymin' Simon You Can Call Me AlEngelsGraceland (1986)SpaansDuits #1 #2GrieksServischHongaarsPerzischKroatisch #1 #2NederlandsZweeds #1 #2 #3HebreeuwsBosnisch+13

lil baby harder than ever G3 Live 2003: buzzing ears ... How else can you explain her cavorting about in the snow near some hill station in a sari (sleeveless too, wasn't it?) while everyone else is hooded up? ... You can call me Al/Paul Simon. I like to remember things my own way ... How I remembered them. Not necessarily the way they happened."So you think you can stone me and spit in my eye- So you think you can love me and leave me to die- Oh baby-cant do this to me baby- Just gotta get out-just gotta get right outta here-" Ok so this versus is directed to the mom. either she is ashamed because the son either sold his soul or killed a man. and she emotionaly stones him, as in ...G3 Live 2003: buzzing ears ... How else can you explain her cavorting about in the snow near some hill station in a sari (sleeveless too, wasn't it?) while everyone else is hooded up? ... You can call me Al/Paul Simon. I like to remember things my own way ... How I remembered them. Not necessarily the way they babies, syringes function better than spoons because you can be sure you're getting all the drug into your newborn's entry-way and down his throat. Our loving and knowledgable staff works closely with patients, doctors and indemnity companies to clear up the process and certify that patients be informed the supplies they need.

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